Emotional listening to music meme4/16/2023 ![]() ![]() To promote the series, anonymous visual artist Weirdcore created music videos for the first two stages. The albums reflect the patient's disorder and death, their feelings, and the phenomenon of terminal lucidity. Although the first three stages are similar to An Empty Bliss, the last three depart from Kirby's earlier ambient works. The series comprises six hours of music, portraying a range of emotions and characterised by noise throughout. The series drew comparisons to the works of composer William Basinski and electronic musician Burial, while the later stages were influenced by avant-gardist composer John Cage. The albums were produced in Kraków and released over six-month periods to "give a sense of time passing", with abstract album covers by his friend Ivan Seal. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. Released between 20, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. ![]() Adagio – Sehr langsam und noch zuruckhaltend (Stuttgart Radio Symphony Orchestra Roger Norrington, cond.Everywhere at the End of Time is the eleventh and final recording by the Caretaker, an alias of English electronic musician Leyland Kirby. One of the most poignant farewells in music While there is some debate as to whether the syndrome actually exists, there is no doubt that music (and art and literature) can have a very profound effect on our emotional responses.Ĭertain pieces are well-known tear-jerkers, including: Absorbed in the contemplation of sublime beauty … I reached the point where one encounters celestial sensations … Everything spoke so vividly to my soul.” “I was in a sort of ecstasy, from the idea of being in Florence, close to the great men whose tombs I had seen. While visiting the Basilica of Santa Croce in Florence, he became overcome with emotion and noted his reactions: The phenomenon, also called ‘Florence Syndrome’, is named after the French author Marie-Henri Beyle, who wrote under the pen-name of ‘Stendhal’. This last response has a name – Stendhal Syndrome – and while the syndrome is more commonly associated with art, it can be applied equally to the powerful emotional reaction which music provokes.Ī psychosomatic disorder, Stendhal Syndrome, or hyperkulturemia, causes rapid heartbeat, dizziness, sweating, disorientation, fainting, tears and confusion when someone is looking at artwork (or hearing a piece of music) with which he or she connects emotionally on a profound level. At other times, we may feel tearfully awestruck in the face of the greatness or sheer beauty of the music. Certain pieces of music can remind us of past events, experiences and people, triggering memories and associated emotions. Tears flow spontaneously in response to a release of tension, perhaps at the end of a particularly engrossing performance. Classical music in particular steers a mysterious path through our senses, triggering unexpected and powerful emotional responses, which sometimes result in tears – and not just tears of sadness. But it’s much more than a pure physiological response. ![]() Studies have shown that around 25% of the population experience this reaction to music. Tears and chills – or “tingles” – on hearing music are a physiological response which activates the parasympathetic nervous system, as well as the reward-related brain regions of the brain. A certain melody or line of a song, a falling phrase, the delayed gratification of a resolved harmony – all these factors make music interesting, exciting, calming, pleasurable and moving. Music has the power to tug at the heartstrings, and evoking emotion is the main purpose of music – whether it’s joy or sadness, excitement or meditation. ![]()
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